Vibrato in Baroque and Classical Music
Source material
Leopold Mozart, Violinschule (Chapter XI p. 203 in original book)
Jean Rousseau, Traite de la viole (1687) p.74 onwards
Geminiani The Art of Playing on the Violin (1751) p.8 (The Close Shake)
Joseph Joachim, Violin School p.96 (quoting Spohr)
Johann Georg Sulzer ơn vibrato (1771)
Articles and books
Robert Donington, A Performer’s Guide to Baroque Music (1973)
Frederick Neumann, The Vibrato Controversy, Performance Practice review (1991)
Implied bass lines in Bach’s solo works for cello and violin
Music pdfs with bass realisations by David Chernaik
Please feel free to download and use these, and let me know what you think! They are not set in stone, and keen eyed observers will see that I have revised some of them since my ARCO article.
Bach Cello Suite No.1 in G
Bach Violin Partita No.2 in D minor
Source material
Bach Sonata for Violin and Cembalo, BWV 1023, Allemande
Bach Keyboard Sonata BWV 964 (a reworking of the A minor Solo Violin Sonata)
Bach Lute Suite in G minor (Cello Suite in C minor), composer’s manuscript
Bach Lute Suite in G minor (Cello Suite in C minor), printed
Bach Lute Suite in E Major (E Major Violin Partita)
Bach Cantata No.29, Sinfonia (Violin Partita No.3 in E Major, Prelude)
Mendelssohn - Bach Chaconne with piano accompaniment
Saint-Saëns - Bach Violin Partita No.3, Prelude with piano accompaniment
Kreisler - Bach Violin Partita No.3 with piano accompaniment
Piatti - Bach Cello Suite No. 1 with piano accompaniment, ed. Michele Galvagno
Edgar Stillman Kelley - The unpublished Bach-Schumann violoncello suites (article 1893)
Bach Cello Suite No. 1, Sarabande, played by David Chernaik